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GALILEO

I interviewed the beloved children of the Middle School Marco Polo of Fabriano, a city dear to me for having given birth to my dear colleague and friend Francesco academic Linceo Stelluti.

"And yet it moves"

"I was born February 15, 1564 in Pisa, my father was a musician and his name was Vincenzo Galilei and Giulia Ammannati my mother's name. My life was very busy at 10 years I moved to Florence and to the age of 11 years I studied at the Benedictine abbey of Vallambrosa. Here I thought I would be Monaco, but in 1581 I continued my studies at the University of Pisa. "

- Why did you decided to transfer his studies at the University of Pisa?

"Because I wanted to become a doctor, by the will of my father, but I realized that my true passion was physics, mathematics and astronomy.
So I returned to Florence to devote to my interests."

- Have you ever taught in a school?

"Certainly at the age of 22 years taught mathematics at the University of Pisa. ... But enough about my life!"

- So what do we tell?

"I'll tell you what happened to me when I tried to present my ideas considered too cumbersome and time revolutionary "

- This refers to the condemnation by the church?

" Yes indeed "

- Tell us!

" I condemned for observing the universe I realized that all the heavenly bodies revolved around the sun and this was still while the earth revolved around itself. This is why in 1633 the Inquisition in Rome I process. I was imprisoned, threatened with torture and forced to publicly renounce my ideas. I said that THE EARTH WAS STOPPED . But I said softly: "And yet it moves . This is the truth!

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Viva whole Italy, Italy far and wide. Viva Viva

am 5 am this 150th anniversary of the Unification of Italy. I, Sara, Mauro, Massimo and Matt are leaving for Milan grandparents, from my family. We will go by car because the trains are too expensive, and it is a sin, but on this aspect, its attention to the Italian family, we still have a bit 'to improve ... I hope before the next 150 years.
I am from Milan, wife of Ascoli Piceno, the sons of Rome, but since I work for a consortium Siciliano, well, I would say I'm Italian, Italian real, far and wide. In the long
sure why it happens every month to go to Ascoli along the Salaria and the wonders that change every mile, from the sea to Rome, reaching 1018 meters amateur before moving to the beautiful Rieti, Antrim, Velino and finally Arquata.
to work I go down in Sicily, a region that often is like an enlarged Rome and around the sea: beautiful in its wonderful Italian citizens who, from time to time, we still call "the continent".
Di Milano said well I have always and will continue to check it at the end of a wonderful journey that winds from Orbetello in Follonica, laps Liguria, Cisa beautiful race on the bike and then the vast Po Valley and productive. In Liguria
I spent my vacation and I became broad with the Frisco and focaccia with cheese Sori to plunge into the sea and unite as a single dive in the Calabria Soverato and Venetian shores of Ferrara and then taking us back to one of the most beautiful cities in the world.
I love Italy and you?
Thank God you made me be born in Italy, thank you very much and I hope that one day my children will say to me not only when we win the World Cup but getting up every day in this beautiful country and starting to live it. Viva Italy
whole, Italy far and wide.

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Italy and the Pope

Andrea Tornielli thank you for this text was circulated on time

Today Secretary of State Cardinal Tarcisio Bertone to the President of the Republic Giorgio Napolitano, a message of Benedict XVI on the occasion of celebrating the 150th anniversary of the unification of Italy, which is celebrated tomorrow. The Pope's words are very clear: The recognition that the beautiful country and the Italians existed well before the advent of political unity achieved the Kingdom of Italy and recall the fundamental contribution of the Christian faith of the Church and the construction of national . Here are some important steps of the papal message:

The unification process took place in Italy during the nineteenth century and made history as the Risorgimento, was the natural result of developing a national identity began long before. In fact, the Italian nation, as a community of people united by language, culture, feelings of belonging to the same, albeit in the plurality of political communities on the divided peninsula begins to form in the Middle Ages.

Christianity has contributed significantly to the construction of Italian identity through the work of the Church, its educational institutions and health care, setting standards of behavior, institutional forms, social relations, but also by a wealth of artistic activity: literature, painting, sculpture, architecture, music.
Therefore, the unit Italy, realizzatasi in the second half of the nineteenth century, could not take place as an artificial construction of political identities, but as a natural political outlet of a national identity strong and rooted, subsisting for some time. The nascent political community united at the end of the cycle Risorgimento was, ultimately, as the glue that held together the local diversity while still remaining, just the pre-existing national identity, whose shaping Christianity and the Church have made a fundamental contribution.
For historical reasons, political and cultural complex, the Risorgimento is passed as a movement against the Church, Catholicism, and sometimes even religion in general. Without denying the role of different traditions of thought, some marked with streaks of law or secularist, you can not fail to mention the contribution of thought - and sometimes of action - of Catholics to the formation of the unified state.
The political and institutional construction of the unitary state involving various personalities from the political, diplomatic and military, including members of the Catholic world. This process, as it inevitably had to confront with the problem of the temporal sovereignty of the Popes (but also because it led to extend to the territories gradually acquired a law on ecclesiastical guidance strongly secularist), was lacerating effects in individual and collective consciousness Italian Catholics, divided between the conflicting feelings of loyalty arising from citizenship on the one hand and the other from membership of the Church. But we must recognize that if it was the unification process to produce the political-institutional conflict between church and state that went down in history as the "Roman Question", thus raising the expectation of a formal "conciliation", no conflict occurred in the social body, marked by a deep friendship between the civilian community and ecclesial communities. The national identity of the Italians, so strongly rooted in Catholic traditions, formed in truth the most solid basis of the conquered political unity. Ultimately, the Council had to take place between the institutions, not the society, where faith and nationality were not in conflict. Even during the years of torn Catholics have worked unity of the country.
The fundamental contribution of Italian Catholics to the elaboration of the republican Constitution of 1947 is well known. If the constitutional text was the result of a positive meeting and collaboration between different traditions of thought, there is no doubt that only the Catholic constituents showed up at the historic event with a specific project on the Basic Law the new Italian state.

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O Patria Mia Giacomo Leopardi

O Patria Mia

O my country, I see
walls and arches and columns and statues and herms
Towers of our ancestors,
But I do not see the glory, I do not see the laurel
and iron Whence Carchi
Our fathers of old. Or made the face and helpless
Naked nude breast show, how many wounds
Alas, What
stripes, that blood! oh I see what you,
Formosissima woman! I ask the sky and the world: say you say;
who reduced it to that? And this is worse,
That chain has both her arms laden,
Yes, her hair disheveled and without a veil
sits forlorn and neglected on the ground, hiding his face
Among the knees, and weeps.
Weep, whence you that well, my Italy,
The people born to conquer
And the auspicious destiny and in the estuary. If they were your eyes
two live sources,
Never could the tears
adjustments to your damage and the shame;
you were a woman, or you're poor maid.
who speaks or writes about you, What
, remembering your past glory,
not say it was great already, now is not that?
Why, why? where is the ancient force?
Where the arms and the value and constancy? Who
discinse the sword?
Who betrayed you? what art or what trouble
0 so what might, Valse
to strip the robe and the gold bands? How or when you fell

From such height in this low spot? No
battle for you? No you do not defend
de 'yours? The weapons, the weapons here: I just
fight, only I procomberò.
Give me, O heavens, that fire is my blood
Agl'italici breasts.
Where are your children?. I hear the sound of weapons and chariots and
of voices and timbales
In districts aliens
Pugnano your children.
Wait, Italy, wait. I see, and Parma,
A fluttering of soldiers and horses,
And smoke and dust, and flashing swords
As between fog bursts. Neither
comfort you and trembling lights
folds not suffer the doubtful event?
A battle that in those fields
The gioventude ited? 0 gods, or gods
Pugnani for other land itali Acciari.
Oh wretched man who is off at war,
home shores is not for them and for the pious
wife and children dear, but as enemies of others
For other people, and can not say dying
Alma native land, The life that I
here I am awake.
Oh dear and fortunate and blessed
The old age, death
throng to the home nations team
And you always honored and glorious
0 Thessalian narrow
Where to Persia and the fate was far less strong
poch'alme of frank and generous!
believe that plants and rocks and the wave
And the mountains in your temporary
with indistinct voice
Narrin since all that shore
Cover the undefeated ranks
De 'bodies were ch'alla Greece devotees.
Then, vile and vicious,
Xerxes to the Hellespont to flight, the last
Done mockery grandchildren;
and neck of Antela, where dying
escaped death by the holy host, Simonides
Salia,
Looking at ' ether and the navy and the ground.
and tears shed both her cheeks,
, my chest heaving, and the shaky foot
Toglicasi man in the pound: Blessed
you
Ch'offriste the chest to the enemy spears
For the love of this lady, who to you Sol gave it
you that Greece colas, and the world admires
anus and it 'perils
What great love young girls minds,
What nell'acerbo fate love you drew?
How happy or children
The last hour I thought, so delightful to step
Correste tears and hard? Parea
that to dance and go to death
Each de 'contents, or gorgeous banquet:
But v'attendea
the dark Tartarus, and ond'a dead;
Neither were your wives or children next hole when
on the rugged shore
Without kisses you died and without tears.
But not without 'Lost
horrible pain and immortal angst. How
lion within a herd of bulls
Or jump to the one in the back and yes digs
With your back teeth, bite
Or this side or the thigh;
Tal lost among hordes raged
The Wrath of 'Greek breasts and virtue.
Ve 'horses and riders on their backs;
View hinder the vanquished
Escape wagons and tents falling, and run between
' Primieri
Pale and disheveled it tyrant
ve 'as infusions and color of the barbaric blood
the Greek heroes , Lost
caused to the infinite sorrow,
Gradually losers from the wounds,
The one above the other falls. Oh alive, oh alive: Blessed
you
While the world is spoken or write. Before
uprooted, falling into the sea,
Spente IMI strideran stars,
That memory and your love
spend or shrunken.
Your tomb is an altar, and showing here
Verran mothers parvoli the footsteps of the beautiful
your blood. Behold, I prostrate myself,
0 blessed, soil
And kiss these stones and these clods,
What hay praised and eternally
clear from pole to pole.
Ah I were with you while below, blood and soft
Fosse my ground this soul.
What if fate is different, and does not allow for that I
Greece mororibondi lights
Close prostrate at war, so the Verecondo

Fama your bard
May doeth for the future, the gods willing, endure
So what for, your last.

Giacomo Leopardi